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Black Moon Club,
is an album that took me more than a year to finish it. It was
made with an absolute minimum resources and not because of that
diminished my intentions that it sounded as pro as it could.
TECHNOLOGY

Using a Pentium II running Windows 98SE and recording in a Creative
AWE64 soundboard, which started malfunctioning in the middle of
the album, Black Moon Club was made. Despite that, the AWE64 was
the only platform used to record, edit and master the audio.
One of the things I had to get through, is that this soundboard
cannot play and record at the same time, therefor finding a way
to do it was not always easy.
BLACK MOON CLUB
Paradoxically, the first track, was the last to be finished.
Black Moon Club was a title that needed music.
I had two tentative tracks to use, but none of them finished to
fit with what I was looking for the opening of the disc.
I decided that the first track would be a sound design work and
I used an old recording of "My Funny Valentine" to achieve
the sound and atmosphere I wanted.
THOSE WHO GATHER AT NIGHT
In fact this was the first track to be recorded. It was made in
only one take and it was mostly improvisation.
Despite certain mistakes, I had achieved in that take, things
I knew I would not be able to reproduce again with the same naturallity
as in the first time.
Afterwards I added echoes and reverbs that went through the stereo,
giving a surreal feeling of space and depth.

MOTHER OF TIME
This was also one of the first tracks to be recorded.
For me this is one of the most important, because when I finished
it I knew where I wanted to aim with the album.
Mother of Time, represents the first time I composed a track using
different instruments in a successful way.
Despite being three or four rehearsals before recording the single
take, there was a lot of work in the sound details of this track.
YBOM
Ybom was thought as an electronic track, given it's base and repetitive
melodies. Despite this, the final arrangements give it a very
different taste.
With the exception of the rhythmic bases, there wasn't any use
of loops for the track.

COLD EVOLUTION
Is the experimental piece of the album, using notes, samples and
recordings, taking individual tracks and applying them layer by
layer of processing to achieve this "interlude of musical
noises" in the album.
Cold Evolution is also a gate, towards the other part of the album
in which there are new notes and sounds.
IT IS ALWAYS NICE TO SEE YOU
This track was mostly composing music around a vocal sample. It
was also one of the few times in which I had to record various
takes.
The biggest troubles this track went through, where technical.

A LITTLE BIT OF BACH
Again this piece is mainly sound design, with the addition of
a string arrangement over Bach's violoncello solo.
RAINING MEMORIES
It was made when the soundboard started failing, even so I believe
that I successfully managed to hide the imperfections of the recording.
It was also one of the tracks most quickly composed.

BEYOND THE SKY
Is the only track that was already composed before I started recording
the album.
In the course of the album, I made new string arrangements and
I finished the final details to a track that was around for a
very long time.
Is also the track with the most takes recorded in the whole album.
CRY FOR THE MOON
Was made totally by mistake and for fun and ended up being one
of my favorites.
Is the only one I composed, in which I don't play any instrument
(in the traditional way). The main instrument was the edition.
MR.MEEKS & THE INVISIBLE BAND
This is one of the tracks I fastest finished and the one I had
the most fun doing.
Made in a single take (all instruments), it was recorded without
any complications, that allowed me to focus on the musical details.
ENJOY THE HARMOTAR
Introduces the use of a new instrument, the "harmotar, a
fusion between a harmonica and a electric guitar.
It's the only instrument recorded with a microphone in the whole
disc.
WHERE IS WOLFIE?
Some sort of musical composition, using little fragments of Wolfgang
Amadeus Mozart's violin concerts.
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